Hannah Luxton reveals her stunning array of paintings which we discuss alongside Rebecca Solnit's 'A Field Guide to Getting Lost'. We join the author's drunken debut and travel with her to extremes at the western edges of America as she explores a myriad of geographical, ancestral and metaphysical ways of getting lost. Picking up on Rebecca's fascination with the illusiveness of blue - the colour of where you are not and where you can never go - Hannah's work is particularly spurred on by the sublime; that which is beyond knowledge. She describes her American road trip, her obsession with Iceland and we explore in detail her paintings and installations, including those seen at Glass Cloud, Lily Brook and Arthouse 1. This is a unique insight into Hannah's studio practice and artistic outlook.
- Art Fictions